Gwenn Thomas - prints gallery
  • 00
    Gwenn Thomas, Rosette, 2007, etching with sugarlift on BFK Rives paper, 15 x 15 inches (38.1 x 38.1 cm) sheet
  • 12
    Gwenn Thomas, Rosette, 2007, etching with sugarlift on BFK Rives paper, 17 x 15 inches (43.2 x 38.1 cm) sheet
  • 13
    Gwenn Thomas, Rosette II, 2009, etching with sugarlift and transfer on BFK Rives paper, 17 x 15 inches (43.2 x 38.1 cm) sheet
  • 15
    Gwenn Thomas, Loop-de-Loop IV, 2005, etching and transfer on BFK Rives paper, 20 3/4 x 14 3/4 inches (52.7 x 37.5 cm)
  • 16
    Gwenn Thomas, Loop-de-Loop, 2004, etching with transfer on paper, 13 1/2 x 11 inches (34.3 x 27.9 cm)
  • 17
    Gwenn Thomas, Loop-de-Loop, 2004, etching with transfer on paper, 13 1/2 x 11 inches (34.3 x 27.9 cm)
  • 18
    Gwenn Thomas, Loop-de-Loop, 2004, etching with transfer on paper, 13 1/2 x 11 inches (34.3 x 27.9 cm)
  • 19
    Gwenn Thomas, Moments of Place II (Room), 2014, limited-edition deep matte digital print, 11 x 14 inches (27.9 x 35.6 cm)
  • 21
    Gwenn Thomas, Song, 2003, etching and aquatint and sugarlift on paper, 11 3/4 x 9 1/4 inches
  • 22
    Gwenn Thomas, Song, 2003, etching and aquatint and sugarlift on paper, 11 3/4 x 9 1/4 inches
  • 23
    Gwenn Thomas, Song V, 2006, etching with sugarlift on BFK Rives paper, 15 x 11 1/4 inches (38.1 x 28.6 cm) sheet
  • 24
    Gwenn Thomas, Song VI, 2006, etching with sugarlift on BFK Rives paper, 15 x 11 1/4 inches (38.1 x 28.6 cm) sheet
  • 25
    Gwenn Thomas, Song II, 2006, etching with sugarlift and transfer on BFK Rives paper, 18 1/2 x 15 inches (47 x 38.1 cm) sheet
  • 26
    Gwenn Thomas, Song II, 2006, etching with sugarlift on BFK Rives paper, 16 1/2 x 13 inches (41.9 x 33 cm) sheet
  • 27
    Gwenn Thomas, Untitled (The Pearl is the River's Color), 2011, etching with sugarlift and spitbite on BFK Rives paper, 17 1/2 x 22 1/2 inches (44.5 x 57.2 cm) sheet, 12 x 18 inches (30.5 x 45.7cm) image
  • 28
    Gwenn Thomas, Untitled (The Pearl is the River's Color), 2011, etching with sugarlift and spitbite on BFK Rives paper, 17 1/2 x 22 1/2 inches (44.5 x 57.2 cm) sheet, 12 x 18 inches (30.5 x 45.7cm) image
  • 32
    Gwenn Thomas, Round Wells (Echoes), 2003, etching on BFK Rives paper, 15 x 11 1/2 inches (38.1 x 29.2 cm) sheet, edition of 5
  • 33
    Gwenn Thomas, Echoes 2, 2003, etching on BFK Rives paper, 15 x 11 1/4 inches (38.1 x 28.6 cm) sheet, edition of 5
  • 34
    Gwenn Thomas, Echoes 3, 2003, etching on BFK Rives paper, 15 x 11 1/4 inches (38.1 x 28.6 cm) sheet, edition of 5
  • 35
    Gwenn Thomas, Echoes 4, 2003, etching on BFK Rives paper, 14 1/4 x 11 1/4 inches (36.2 x 28.6 cm) sheet, edition of 5
  • 36
    Gwenn Thomas, Echoes 5, 2003, etching on BFK Rives paper, 15 x 11 1/4 inches (38.1 x 28.6 cm) sheet, edition of 5
  • 37
    Gwenn Thomas, Echoes 6, 2003, etching on BFK Rives paper, 15 x 11 1/2 inches (38.1 x 29.2 cm) sheet, edition of 5
  • 38
    Gwenn Thomas, Echoes 7, 2003, etching on Moulin du Gue paper, 14 x 11 1/2 inches (35.6 x 29.2 cm) sheet, edition of 5
  • 39.5
    Gwenn Thomas, Echoes series, 2003, etching on BFK Rives paper
  • 39.9
    Gwenn Thomas, Echoes Series

Thomas’ series of prints relate to her signature works on canvas. These dynamic, masterful orchestrations of abstract forms and marks—drawn rectangles of solid color, silhouettes of cut bits of cloth, depictions of paint strokes or a wayward bit of newsprint—are realized by hands-on manipulation of printing plates.

Gwenn Thomas’ work is represented in major collections including The Metropolitan Museum of Art; Museum of Fine Arts, Houston; Philadelphia Museum of Art; Harvard Art Museums/Fogg Museum; Princeton University Library, Graphic Arts Collection; Chase Manhattan Bank; Progressive Art Collection; Saatchi Collection, London; Citigroup, New York; C.A.M. Fundação Calouste Gulbenkian, Lisbon, Portugal; and São Schlumberger, Paris.

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