Art in America Review - Richard Tsao
October 01, 2005 Art in America
Excerpt–
The surface of Tsao’s paintings are rich with water-based pigment, their skins variously eroded and elsewhere built up with marble dust and the matte medium he uses as a binder. As the medium extends the integrity of the pigment, he manipulates it to achieve substrata and surfaces that range from a glazed appearance or deepening craquelure to the look of pollen, each seductive in its own right.
– Edward Leffingwell
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