A selection of articles, press, and reviews on current and past API artists and exhibitions.
For Foreign Press, click here.
Visual Experience Time And Cultural Form: Installations by Zhang Jian-Jun
December 01, 2002Chinese-Art.com
Zhang Jian-Jun's art is concerned with continuity of culture and of human values through time and space. In an era when there is such fascination with the superficial changes that flit through the kaleidoscope of daily life, the affirmation of a coherent substrate is… Read More 
Kismet - Gwenn Thomas
November 01, 2002ARTnews
Gwenn Thomas's neo-retro pastel beauties also shimmered–pigments prints on canvas that pictured strips of ripped photographic paper and cut felt in abstractions paying homage to Lee Krasner's "City Verticals." Thomas however, adds such a preternatural tangibility to… Read More 
Pouran Jinchi
October 01, 2002Art in America
Many of her strokes are derived from Farsi letters and diacritical marks that push away from legibility and direct themselves toward organic abstraction. Formerly, her paintings began with a text, usually a Persian poem; the marks she made reflected both the actual… Read More 
Gwenn Thomas at Art Projects International
October 01, 2002Art in America
For the 18 pieces in the show, including three C-prints of drawings, Thomas uses photography to highlight detail and tonal quality. Read More 
Kismet, The Unexpected Connection - Gwenn Thomas
September 06, 2002The New York Times
…Gwenn Thomas's gridded collages of torn paper and scraps of felt. But her pictures turn out to be photographs of collages printed in slightly dim colors on canvas: virtual collages that wryly comment on Modernism's love affair with raw materials.
For a complete copy… Read More 
Gwenn Thomas
June 01, 2002NY Arts Magazine
The Iris or Pigment prints invite the viewer to travel through a time tunnel of recent technologies. At the end of the tunnel, were light can be expected, Thomas's drawing or collage appear, imbued with the meaning and mystery of the artist's emotional self. Less than… Read More 
In-Hyung Kim at Art Projects International
January 01, 2002Art in America
In-Hyung Kim’s art feels authentically Symbolist; its visionary power and refusal to yield specific meanings fulfill Mallarmé’s goal of allusiveness and musicality. Luminous veils of white and yellow arise at the centers of her paintings, evoking indeterminate distance… Read More 
