Anders Moseholm at Art Projects International
May 01, 1998Art in America
Moseholm incorporates cityscapes, words, movie stars and the occasional giraffe in a fluid, blurry style. While some paintings resemble a soft-focus version of Mark Tansey, other… Read More 
Pomaoism
March 01, 1998Art & Auction
...at least five New York galleries have begun to represent artists from China ....while the five-year-old Art Projects International gallery, run by Korean-born curator and critic… Read More
The Drawn and the Painted in the New Works of Kim In-Hyung
February 02, 1998SPACE, Seoul
In looking at In-Hyung Kim's large drawing comprising sixty-six individual works on paper currently on display in New York City at Art Projects International's exhibition In-Hyung Kim:… Read More
IL Lee - Line and Form: Drawings 1984-1996
April 01, 1997Space, Seoul
At first glance–in looking at the exhibition of Il Lee's drawings at Art Projects International (API) in New York City–Il Lee's drawings are attractive minimalist works–black ink on… Read More
West Goes East: A New Generation of Asian Artists Has Become a Force in the International Art Market
March 01, 1997ARTnews
Hope abounds, however. “Everybody's talking about Asian artists, but until recently, only traditional art was seen," states Jung Lee Sanders, a Korean-born dealer who opened her… Read More
IL Lee at Art Projects International
February 01, 1997Review
Captivated by the announcement card, I went down for a preview. Though the drawings are mostly recent, one initiating work from 1984 is included--a startling row of five black,… Read More
Art Projects International/Paddy Hamilton: Global Skin Tones
January 01, 1997New York Soho Arts
Yeong Gill Kim at Art Projects International
September 13, 1996The New York Times
Born in Korea, now living in New York City, this painter works on a large scale in black and white acrylic. The canvas surfaces are scuffed and stained, setting up smudgy, accidental… Read More
Enter Youth, Quieter and Subtler
May 17, 1996The New York Times
Spring, however reluctant, always brings a rise in the number of first shows, those gallery exhibitions by which artists young or unknown first dip into the ebb and flow of the New… Read More
The Village Voice Review - Gwenn Thomas
March 26, 1996The Village Voice
Her gray-toned geometric abstractions are photos of low-tech collages that have been printed on linen and stretched like paintings, so they seesaw provocatively between mediums, as… Read More
Paddy Hamilton and Emmanuelle Waeckerle
November 27, 1995The Village Voice
A collaborative project involving a found object (a headless plastic camel) and their own Euro-African ethnicity by two artists working in London, tided "Carry Me Along Oh Roads." Read More
Jung Hyang Kim and Jian-Jun Zhang
June 01, 1995SPACE, Seoul
Jian-Jun Zhang showed several works from his "Fire and Water" series. The artist is primarily known for his installations, which tend to symbolize larger processes. In "Fog Inside"… Read More
Flash Asia: International Asian Art Brief - Jian-Jun Zhang
May 01, 1995Flash Art
Art Projects International exhibited Jung Hyang Kim and Jian-Jun Zhang, from 1 April to 29 April. The artists... Read More
Flash Asia: International Asian Art Brief
March 01, 1995Flash Art
Art Projects International, which aims to facilitate international dialogue between Western and Eastern artists and audiences, exhibited New York artist Li-Lan in the show "Postmarks:… Read More
Reviews: Gwenn Thomas
February 01, 1995Artforum
By isolating the most basic properties of photography and the behavior of sensitized surfaces–grays and blacks, light and shadow, texture and tone–Thomas' grids provide a remarkable… Read More
The Village Voice Review - Gwenn Thomas
December 20, 1994The Village Voice
Teetering between severe and decorative, deadpan and parodic, Thomas's mostly gray-toned geometric abstractions also straddle mediums. Photographs of collaged material (paper strips… Read More
Art in Review - Gwenn Thomas
December 16, 1994The New York Times
Photographs of grids made up of squares and strips of cardboard, printed on linen coated with light-sensitive emulsion to produce elegant, silvery works that shimmer on the wall. Read More